Simplify, Simplify, Simplify

     For those of you who know me well, you may think I am loosing it. Rest assured. I am not. For what I am about to say, know that I am sane and balanced. I am aware. "Sell your guitars!"
I know I know. Sin of all sins. Blasphemy! After all this is a guitar blog. For the love of guitars and the guitar lifestyle right? Yes, and in that spirit I continue. For the guitar lifestyle. Stay with me.
    For years I have bought and sold guitars. I have collected and traded and loved and played many many fine six stringed instruments. A few four stringed as well. Recently however, I have been feeling a little flat from the experience. Unfullfilled if you will. Not that the guitars are not fantastic and beautiful and unique. Its just that the stream of instruments coming and going has left me hollow. Hollow in that I never really get the chance to connect with any of them on a significant basis. Much like a relationship with a friend. If it is too swift or too short, you never really know if there was something there. Something that could have been lasting anyway. And so I sold my guitars. Goodbye and farewell my fine fretted friends.
    Not all of them of course. I have a few pieces that I will never let go of. A recent vintage Gibson Southern Jumbo, A Gibson Les Paul Custom Pro (anniversary present from my dearest Rebecca), A 1980 Fender Stratocaster Monacco Yellow, An Eastman T386. Everything else is gone. I think....
There are some closets I have not checked.
     Now that my pack is light, I find myself moving much faster and with a lighter heart and mind. Why would that be? I think it is because I am dedicated to these pieces. I am connected to them. I love them and they love me. We are familiar and we like to see one another. We have stayed together long enough to know what we love about each other. Good and bad. I know my Strat needs new frets and that the neck pickup is too throaty and dull to be of any use, but I LOVE that guitar. I return, it knows I will likely never pull EVH runs or properly use a tremelo but it LOVEs me anyway. It is MY GUITAR. I walk into my studio and it says, "Hello old friend, I have missed you" and I say "Hello my faithful friend, It is good to see you too". Then we are immediately connected and familiar and we enjoy our time together and we look forward to the next encounter. Good and bad. We accept and we commit and we like what we have. Not perfect but real.
     This type of connection simply cant happen for me when I have eight different Strats sitting in my living room. I am too distracted by them all. Too much noise in the room and I cant focus on any one conversation. It becomes impossible to really spend enought time with one guitar to find out if we really are good for one another. Maybe the action on this one guitar is too high or the neck is too wide and so I pick up another one that has a better feel but a tone that is abrasive to me. So I look for another and then another thinking that that one perfect piece is out there. That process consumes all of the time that I should be spending with that one Les Paul and that one Southern Jumbo. I have no time left to fix the problems or work through and get used to their shortcomings. I am simply to distracted by the idea of something. Something that does not exist.   
     So not unlike our relationships in the outside world with friends and relatives and love ones in my opinion. Im not saying that you should dump your friends. What I am saying is that perhaps you should do an occasional inventory and think about where you really want to spend your time. Maybe thin the distractions a little so you can work through that little issue with those one or two people. You know who those people are. They are the ones you think about when they are not around or when you have not heard from them. They ones that still somehow have a voice that you can hear even when you are in a room full of other people. Find them and spend the time to work it out. Trust me. When you have fewer silly choices, the important ones become more fullfilling. You might realize that you might not have to look as far or as hard to find that friendship that you can make the best music in.
    I miss my Road Worn Telecaster on occasion. Also my Les Paul Classic. They were awesome and I wish them well and I hope they find a place to jam and be jammed.  That said, when I go home to my favorite two, I miss nothing. We rock on together and we are happy doing it.
 

In Many Ways, The Best of Friends

Oh a new year again. For so many of us a time of reflection, a time of resolution, a time to look forward in hope, and a time to look back in regret perhaps. A time to pat yourself in congratulations and a time to gather with those that you hope will be a part of your life in the new year and for many to come.  It sounds so profound and thoughtful. And it is really. If you are smart you will ponder your life and that of others, particularly if it is in an effort to make them all better. It is in that spirit that I continue.

I was making my New Year's list the other day. You know that list, "for this I am thankful" in the left hand column, "for this I am heartbroken" on the right. All done to remind myself what a great life I have, taking stock of my blessings as I head into 2016. It has been said that the quickest way to happiness is to be thankful for what you have. "I want everything I have" vs "I have everything I want" sort of thing. And would'nt you know it. Guess what made the list on the left hand side? 

My 2014 Fender Custom Shop 60's Heavy Relic Stratocaster, my Dr Z Carmen Ghia 18watt combo, my Special Run Gibson Les Paul Custom Pro, my Fender Road Worn Telecaster, my Bad Cat 15 watt, my TC Electronics MojoMojo Overdrive pedal all mad the "holy cow Im grateful for that" list. Now here is where you say to yourself that Jonathan is quite shallow indeed. Placing such value on inanimate objects like guitars and such. Well, this is a guitar blog so settle down a bit. Of course I am thankful for my friends and family. Well....most of them anyway, but there is a different observation here. While guitars made the "thank you" list often, the never made the "oh crap" list. Not once! Now that is saying a little bit. In some ways, I have been treated better in 2015 by my guitars than by some of the humans in my life. Those little bolted up pieces of wood, and steel, and plastic have actually done pretty well by me. Some of the humans? Well.......
So I have made a resolution for you all and for myself.

Here it stands. Always present and waiting for me to reach out. Never uttering a negative word about me or those that I love. Never indulging in the drama. Never hanging up on me after a barrage of insults and venom. Never dropping out. Always showing up. Helping me discover my limits and riding along when I surpass them but never demanding that I do so. Only requiring minimal care and always giving back more than it asks for and recieves. The lowly and humble guitar. Trusted and cherished friend. Have a look and one of my most loyal family members. The Gretsch 6120. Now before you go start hating on this concept, let me offer one more word and a promise to you all. In 2016, I promise to be to you, much more like my guitars are to me. Think about it for a moment.

"What Did You Enjoy Doing at Age 10?"

I would like to start this post by pasting in a section from an Entrepreneur Magazine article I recently read. Also a word of caution to my usual visitors. This article is less about guitars and more about what it might mean to be a guitar player. Read on and I think you will understand.

Eric Maisel, a psychotherapist and author, agrees, adding: "The things we loved as a child are probably still the things we love." He suggests drawing up a list of favorite activities and interests from childhood—"and see what still resonates with you today. And then it’s a process of updating those loves. You may have loved something that doesn’t even exist now, or doesn’t make sense in your life now—but you may be able to find a new version of that.

I uncovered the article with a quick google search worded "identifying your passions".
Of course a ton of hits came up as this is a very en vogue topic to be reading on these days.
I would say particularly among aging Gen X kids such as myself. 
Perhaps this stems from a growing feeling that I am running out of time. Time for what? Time to grab deep happiness and be able to look back and feel as though I made good use of a life! John Mayer maybe asked it directly when he sang, "Am I living it right?"
At any rate, I find that I am wanting to spend more and more time in activities that I connect with on a very deep level. Interestingly enough, many of those activities are directly or evolutions of activities I enjoyed as a kid.
So I ask, "What did you enjoy doing at age 10?".
Now, this is not to say that one can make a living playing hopscotch or collecting bugs, but only maybe. If you found yourself playing hopscotch and kickball while the neighbor kid collected bugs then perhaps you should have studied kinesiology and the kid next door should have studied entomology or biology. Now, one can certainly make a living in those areas.
I know this is a road weary topic to some. However, I, at 47 am just now slowing down long enough to really look at this issue and answer some of the the questions honestly.
When I think of the things I enjoyed as a 10 year old, I was certainly, BMX and skateboarding, listening to rock and roll, and trying to mow enough lawns to buy a dirt bike.
Childs play you say? My father certainly thought so, and did make efforts to point me towards ways of making an honest, hard earned living. The thought of being a professional moto-cross racer or surfer would have never been encouraged, let alone supported. Its a shame too because many kids do grow up to make a living surfing and racing and playing rock and roll and skateboarding. So why not me?
Somewhere along the way, between the innocence and wonder of childhood and the knowledge of the responsibility that comes at adolescence, the dream just gets derailed I think. "Ha! He is too young to have any idea as to what kind of job he would want", I remember hearing the adults say. Maybe that was wrong. Maybe the passions of our youth had us right on track. Now I hear myself saying, "He is too old to remember what type of job he really wanted." I think that is more accurate than the former.
Now don't lose me here. I'm not saying that at age 50 we should quit our jobs and go and make a run at pro surfing. Or am I? Silly kid stuff right? Only maybe.....
I remember a good mentor from my post college days once told me, "Jon, you can do almost anything you want to do if you are willing to make all of the necessary sacrifices to get there."
I think that comment has relevance in this conversation because it points back to the concept of pursuing a dream or ambition. At age 50 can I be a professional surfer? Sure can. There are masters class contests all over the place. Now will I make a ton of money? Maybe not. But that was not the question was it? I have grown to hate the money question anyway.
Oh sure, I know we have to pay the bills. I get that. We all should get that by now. However, that dang money question did not play in at age 10. It came along later when we had to choose between dreams and money. So I am trying to factor it out again. Trying to get it (as much as I can) out of the equation and get back to that wild eyed wonder of being a child again. That is to say I am changing the question back to something closer to the questions we asked ourselves as children. Follow me if you will on this. If it were a bright, clear, warm Saturday morning, and you were 10 again, what would you go do? 
The honest answer to that question is helping me find direction again. Perhaps it can help you as well.

The Stoke

Perhaps I have commented on this before. "The Stoke" as it were. That is to say the process of getting stoked. Like, totally stoked! It is not the same as say, getting happy or excited. It is it's very own thing.
The Stoke is not something that happens to you or even an emotion really. It is, in my opinion, a universal energy that will, when conditions are right, make itself a home inside you for a time.
True, it does respond to certain situation better than others. Like a salesman making a sale for instance. I'm not sure the elation he might feel is "The Stoke". I think that might just be short term happiness. However, if he is happy because he finally has enough money to buy that bitchin' '76 Les Paul Deluxe, then that is for sure "The Stoke". Fine line distinctions but I believe them to be true and accurate.
So, when were you last STOKED? My friends, it is an important question to ask yourself. We simply cannot continue our day to day lives with out a measure of Stoke.
I have a Stoke dispenser at my house. A few in fact. The Inverness Green Les Paul Custom Pro that my wife bought me for our 15th anniversary always brings on The Stoke.
Also, I can grab a longboard (skateboard because I live inland now) and find a little bit of Stoke by simply rolling down my driveway.
I suggest you all find that little something that lets you connect with The Stoke. Think about it a little.
Maybe you like to paint or draw, or perhaps you are working on a difficult piano piece. These types of things are corridors to the wonder of being stoked.
I hope that you take some time out this weekend to find a little fun. A little stoke.
Check out the images of folks being stoked. Dig it!

Are you kidding me? Totally Stoked!

Yep, Stoked Again...times two! Sweet rollers and a Fender Jag!

Now I'm Stoked!

Thanks guys for checking in and have a great life until we talk again.

Sometimes Technology is Not an Advance

I will start this short article by conceding very early on that I am simply old. Old school (so old in fact that I refuse to use the spelling "skool") is not something new to me. I have been this way for as long as I can remember. When I was a teenager and New Wave and Punk were all over the place, I was listening to The Beatles. When it came time for me to get my first car, all I wanted was my dad's old jeep (you would have to see it to appreciate exactly how 'old school' that was).

To this day I still want an old '65 Mustang and I still drool over old Triumph Bonnevilles and Trophies. When it comes to my guitars, you guessed it, Fender and Gibson all the way. In fact, the older and more beat up the Strat', the better I like it. I don't know why….wait, I do know why. Because they are better! They are full of character and color and life. Old guitars and gear are experienced. They bring with them a certain feel and, dare I say it, mojo. Yuk, I almost cringe to see myself using that now worn out word. Mojo. Still, it is really the only word that works when it comes to expressing the feel of older instruments. 

In addition, the old stuff just looks cooler. Not pared down and digitalized. Good old fashioned analog stuff. Yeah man! Capacitors, rectifiers, filters, circuits! 

My case in point, look below at the images of Roland's early Space Echo units. Awesome stuff! Big and bulky, with cool knobs and switches to mess with. A 'vu meter'? Are you kidding me? Sweet! 

Then look at the advance of technology and how the current Space Echo unit looks. What? Lame! Tiny, plastic, boring, digital reproduction of what was awesome and unique. 

So march on technology. March on without me in fact. 

Just get me to a good analog yard sale and let me dig through the old treasures.

To Experience the Magic

The South Texas sun beat down on me as I doggy paddled around that massive pool that Summer day many years ago. I'm not exactly sure of the year. Had to be in the early 80's. Likely 1980 or 1981 if I were to guess. I cant even recall why I was at that resort. It was not the sort of place my family would frequent. 
Still, by some turn of the universal fate, I found myself floating around in a pool and an ocean of suntan oil, red faced kids, intoxicated middle aged executives and their brown skinned bikini clad wives. Me trying to look as though I fit in. Me sort of chubby, bathing suit too tight because it was purchased two Summers ago, needing a hair cut, and baked a painful red, as I was not the kind of kid that exposed his torso to sunshine very often. A recall being a spectator of sorts. A spectator to this other world of weekending and excess that I had never before seen or been a part of. Amid that flotsam of silky, self and and sun worship, I was a castaway. Alone on an island of natives.
Then like the roll of an approaching thunderstorm, a sound so immediately intoxicating and familiar, hit my water soaked ears. The band.
The sea of natives, with their plastic martini glasses raised, their heads rocking to and fro like strutting chickens, all headed towards the far end of the pool.
I was drawn as if pulled by a Siren song. From my vantage point I could see the band under a large sun shade. 
I will never forget how the singer's Strat glistened in the Texas sun. Fiesta red! That wonderful Fender color that has transfixed thousands of would be gun slingers. The lead guitar player behind him with another Strat in Lake Placid Blue. Oh how that was a site to see! As I recall, they ripped through Tommy Tutone's Jenny and launched right into Sultans of Swing. As that rich, Stratocaster, switch position #2, tone poured from the edge of the pool, I knew that I had been changed. Well, I probably did not understand it then but as the years progressed, I always recalled that day at the resort when I first heard the magic.
I am a rare bird I guess. My musical journey has never been guided by glitter and lights. For me, the possibility of stardom as a musician is not something that ever occurred to me. Once I saw that little 4 piece band and how they seemed to capture and control that entire pool of holiday heads, I simply wanted to be in a cover band. I wanted to step up to that microphone and perform that magic. However, for me, like musicians that strive for fame, the quest has been no less consuming. 
Now 35 years on (or more really) from the realization that I wanted to be on stage, the excitement and anticipation of experiencing the moments of magic is as strong as ever. I suppose that was a calling of sorts. Somehow the universe put me in the right place and the rightest of times. The opening of chord of Sultans still floors me. After singing Jenny's phone number thousands of times, I still get a chill when those weekenders sing along.
I'm a lucky bird really. I have had a Lake Placid Strat and one in Fiesta red as well. My little bands have channelled the magic many times. Today, as I sit and look at one of the Statocasters that is passing through my life, I cant help but think about that kid bobbing around in that pool that day on Padre Island. He is still there, with his arms over the edge of the pool, trying to look as though he belongs, watching and listening, waiting for his next day under that umbrella.

Ride Em' , Don't Hide Em'

  Vintage motorcycle riders have a saying. They say, "Ride Em, Don't Hide Em". On the face of it, the meaning seems obvious right? Do not buy a nice vintage motorcycle and hide it in your garage and keep the pleasure of the bike to yourself and yourself only. Get that machine out on the road and show the world. Let other riders see the bike and appreciate it with you. This is where vintage guitar owners share a difficulty with vintage motorcycle owners. The aforementioned motto is easy enough to say I suppose, but the real life implementation of it is a bit more difficult.
     It should go without saying that vintage guitars, like vintage motorcycles can sometimes be quite expensive. So dear, in fact, that the thought of a new scratch or a new dent and it's impact on the value of the vintage piece, almost takes all of the joy out of taking the old pony out for a spin. I suppose that one could not blame the owner of a classic piece for protecting his or her investment. Imagine taking your '62 Fiesta Red Fender Stratocaster out to a local dive bar for a show, only to have an "enthusiast" knock that beauty off its stand during your set break. Yikes! I just broke out in a could sweat writing that. Understandable to keep that rarefied guitar at home in a climate controlled environment. That kind of guitar is an investment and it makes sense to protect such a thing. However, I have noticed the, "that guitar is too nice to play out" mentality in new places other than the vintage collector circles.
     A few years ago I began getting interested in the vintage guitar market. I really didn't have the funds to go after pre-CBS Fenders but I did go looking for entry level opportunities. I bought a few   Japanese import Boss pedals (in fact,a long dash CE-2 is still in my collection) and started doing research on which guitars might become collector grade in the years to come. There was a guitar shop in the area that had a nice display of vintage pieces and I began quizzing the owner about emerging trends in the vintage market. One day he called me and said, "Jon, come in and let me show you a guitar that might be of interest to you. Its a real nice Strat." I couldn't wait to get there.
    When I walked in, I suspected I would see a road worn '70s Strat or perhaps an Ed Smith era piece. Those guitars seemed to be in price range at that time. I was surprised to see a brand new guitar on his counter. Him grinning from ear to ear pointing at the case. He said, "You asked me about which guitars might be collectible ten or fifteen years from now. Well, I think this is one." That was in 2004 and what he had was a 50th Anniversary Stratocaster, brand new and straight from the factory. He informed me that he could only get one and he wanted me to have first shot at it. $1200 was a great price for such a nice guitar, collectibles or not, so I took the bite. I followed his advice to, "Shove her under your bed and see what things look like in ten years. They are not making any more of these."
Fair enough. That guitar has spent the last nine years literally under the bed in our guest room. All the case candy in tact and the plastic still on the pickguard. That is until about two weeks ago.
     An old friend, that I had not seen for many years came to visit me. My wife was out of town so we had the run of the place and decided to pull out every guitar I owned and play them. We compared notes on guitars and told war stories about lost guitars and playing in terrible bands. It was great. I have always been proud of that Anniversary piece so I took it out to show him. While I went downstairs to mix us up a couple more cocktails, he plugged it in and started playing! Oh, the horror of it all! I didn't know what to do, but as I contemplated the guitars loss of virginity, I noticed how great the guitar sounded. Fender equipped those pieces with Noisless pickups and S1 switching. Plugged into my old Twin, that guitar chimed like a bell. At that moment, I realized that Bruce Springsteen was right. Baby,  we where "born to run!" When that Stratocaster started to run that night, nothing could have ever run better. It was made to play, not hide under that guest bed.
     Since that night, I have played that Strat at two different gigs. By the way, it sounds great through a Mesa Boogie Studio .22 and sounds even better through a DC-5. I have had more than $1200 worth of enjoyment talking to people about the guitar, as it is a rarely seen piece at live gigs. It is on its way to becoming my "#1".
    I understand needing to protect the posterity of a high grade, collectors guitar. As I said, your minty '62 Sonic Blue over Oly White should not really come out at open mic night at The Palamino.
But being afraid of scratching the back of your 2001 Deluxe Players Stratocaster during "Jessie's Girl" at your next "mitzvah gig" might be a little over board. Please! Get those babies out of the closet and ride 'em and ride 'em hard! We (players and fans) want to see and hear what they've got.