Holy Grail

Holy Grail

Saturday, December 27, 2014

"What Did You Enjoy Doing at Age 10?"

I would like to start this post by pasting in a section from an Entrepreneur Magazine article I recently read. Also a word of caution to my usual visitors. This article is less about guitars and more about what it might mean to be a guitar player. Read on and I think you will understand.

Eric Maisel, a psychotherapist and author, agrees, adding: "The things we loved as a child are probably still the things we love." He suggests drawing up a list of favorite activities and interests from childhood—"and see what still resonates with you today. And then it’s a process of updating those loves. You may have loved something that doesn’t even exist now, or doesn’t make sense in your life now—but you may be able to find a new version of that.

I uncovered the article with a quick google search worded "identifying your passions".
Of course a ton of hits came up as this is a very en vogue topic to be reading on these days.
I would say particularly among aging Gen X kids such as myself. 
Perhaps this stems from a growing feeling that I am running out of time. Time for what? Time to grab deep happiness and be able to look back and feel as though I made good use of a life! John Mayer maybe asked it directly when he sang, "Am I living it right?"
At any rate, I find that I am wanting to spend more and more time in activities that I connect with on a very deep level. Interestingly enough, many of those activities are directly or evolutions of activities I enjoyed as a kid.
So I ask, "What did you enjoy doing at age 10?".
Now, this is not to say that one can make a living playing hopscotch or collecting bugs, but only maybe. If you found yourself playing hopscotch and kickball while the neighbor kid collected bugs then perhaps you should have studied kinesiology and the kid next door should have studied entomology or biology. Now, one can certainly make a living in those areas.
I know this is a road weary topic to some. However, I, at 47 am just now slowing down long enough to really look at this issue and answer some of the the questions honestly.
When I think of the things I enjoyed as a 10 year old, I was certainly, BMX and skateboarding, listening to rock and roll, and trying to mow enough lawns to buy a dirt bike.
Childs play you say? My father certainly thought so, and did make efforts to point me towards ways of making an honest, hard earned living. The thought of being a professional moto-cross racer or surfer would have never been encouraged, let alone supported. Its a shame too because many kids do grow up to make a living surfing and racing and playing rock and roll and skateboarding. So why not me?
Somewhere along the way, between the innocence and wonder of childhood and the knowledge of the responsibility that comes at adolescence, the dream just gets derailed I think. "Ha! He is too young to have any idea as to what kind of job he would want", I remember hearing the adults say. Maybe that was wrong. Maybe the passions of our youth had us right on track. Now I hear myself saying, "He is too old to remember what type of job he really wanted." I think that is more accurate than the former.
Now don't lose me here. I'm not saying that at age 50 we should quit our jobs and go and make a run at pro surfing. Or am I? Silly kid stuff right? Only maybe.....
I remember a good mentor from my post college days once told me, "Jon, you can do almost anything you want to do if you are willing to make all of the necessary sacrifices to get there."
I think that comment has relevance in this conversation because it points back to the concept of pursuing a dream or ambition. At age 50 can I be a professional surfer? Sure can. There are masters class contests all over the place. Now will I make a ton of money? Maybe not. But that was not the question was it? I have grown to hate the money question anyway.
Oh sure, I know we have to pay the bills. I get that. We all should get that by now. However, that dang money question did not play in at age 10. It came along later when we had to choose between dreams and money. So I am trying to factor it out again. Trying to get it (as much as I can) out of the equation and get back to that wild eyed wonder of being a child again. That is to say I am changing the question back to something closer to the questions we asked ourselves as children. Follow me if you will on this. If it were a bright, clear, warm Saturday morning, and you were 10 again, what would you go do? 
The honest answer to that question is helping me find direction again. Perhaps it can help you as well.

Friday, December 12, 2014

The Stoke

Perhaps I have commented on this before. "The Stoke" as it were. That is to say the process of getting stoked. Like, totally stoked! It is not the same as say, getting happy or excited. It is it's very own thing.
The Stoke is not something that happens to you or even an emotion really. It is, in my opinion, a universal energy that will, when conditions are right, make itself a home inside you for a time.
True, it does respond to certain situation better than others. Like a salesman making a sale for instance. I'm not sure the elation he might feel is "The Stoke". I think that might just be short term happiness. However, if he is happy because he finally has enough money to buy that bitchin' '76 Les Paul Deluxe, then that is for sure "The Stoke". Fine line distinctions but I believe them to be true and accurate.
So, when were you last STOKED? My friends, it is an important question to ask yourself. We simply cannot continue our day to day lives with out a measure of Stoke.
I have a Stoke dispenser at my house. A few in fact. The Inverness Green Les Paul Custom Pro that my wife bought me for our 15th anniversary always brings on The Stoke.
Also, I can grab a longboard (skateboard because I live inland now) and find a little bit of Stoke by simply rolling down my driveway.
I suggest you all find that little something that lets you connect with The Stoke. Think about it a little.
Maybe you like to paint or draw, or perhaps you are working on a difficult piano piece. These types of things are corridors to the wonder of being stoked.
I hope that you take some time out this weekend to find a little fun. A little stoke.
Check out the images of folks being stoked. Dig it!

Are you kidding me? Totally Stoked!


Yep, Stoked Again...times two! Sweet rollers and a Fender Jag!


Now I'm Stoked!

Thanks guys for checking in and have a great life until we talk again.




Monday, November 24, 2014

Sometimes Technology is Not an Advance

I will start this short article by conceding very early on that I am simply old. Old school (so old in fact that I refuse to use the spelling "skool") is not something new to me. I have been this way for as long as I can remember. When I was a teenager and New Wave and Punk were all over the place, I was listening to The Beatles. When it came time for me to get my first car, all I wanted was my dad's old jeep (you would have to see it to appreciate exactly how 'old school' that was).
To this day I still want an old '65 Mustang and I still drool over old Triumph Bonnevilles and Trophies. When it comes to my guitars, you guessed it, Fender and Gibson all the way. In fact, the older and more beat up the Strat', the better I like it. I don't know why….wait, I do know why. Because they are better! They are full of character and color and life. Old guitars and gear are experienced. They bring with them a certain feel and, dare I say it, mojo. Yuk, I almost cringe to see myself using that now worn out word. Mojo. Still, it is really the only word that works when it comes to expressing the feel of older instruments. 
In addition, the old stuff just looks cooler. Not pared down and digitalized. Good old fashioned analog stuff. Yeah man! Capacitors, rectifiers, filters, circuits! 
My case in point, look below at the images of Roland's early Space Echo units. Awesome stuff! Big and bulky, with cool knobs and switches to mess with. A 'vu meter'? Are you kidding me? Sweet! 
Then look at the advance of technology and how the current Space Echo unit looks. What? Lame! Tiny, plastic, boring, digital reproduction of what was awesome and unique. 
So march on technology. March on without me in fact. 
Just get me to a good analog yard sale and let me dig through the old treasures.



Saturday, October 25, 2014

To Experience the Magic

The South Texas sun beat down on me as I doggy paddled around that massive pool that Summer day many years ago. I'm not exactly sure of the year. Had to be in the early 80's. Likely 1980 or 1981 if I were to guess. I cant even recall why I was at that resort. It was not the sort of place my family would frequent. 
Still, by some turn of the universal fate, I found myself floating around in a pool and an ocean of suntan oil, red faced kids, intoxicated middle aged executives and their brown skinned bikini clad wives. Me trying to look as though I fit in. Me sort of chubby, bathing suit too tight because it was purchased two Summers ago, needing a hair cut, and baked a painful red, as I was not the kind of kid that exposed his torso to sunshine very often. A recall being a spectator of sorts. A spectator to this other world of weekending and excess that I had never before seen or been a part of. Amid that flotsam of silky, self and and sun worship, I was a castaway. Alone on an island of natives.
Then like the roll of an approaching thunderstorm, a sound so immediately intoxicating and familiar, hit my water soaked ears. The band.
The sea of natives, with their plastic martini glasses raised, their heads rocking to and fro like strutting chickens, all headed towards the far end of the pool.
I was drawn as if pulled by a Siren song. From my vantage point I could see the band under a large sun shade. 
I will never forget how the singer's Strat glistened in the Texas sun. Fiesta red! That wonderful Fender color that has transfixed thousands of would be gun slingers. The lead guitar player behind him with another Strat in Lake Placid Blue. Oh how that was a site to see! As I recall, they ripped through Tommy Tutone's Jenny and launched right into Sultans of Swing. As that rich, Stratocaster, switch position #2, tone poured from the edge of the pool, I knew that I had been changed. Well, I probably did not understand it then but as the years progressed, I always recalled that day at the resort when I first heard the magic.
I am a rare bird I guess. My musical journey has never been guided by glitter and lights. For me, the possibility of stardom as a musician is not something that ever occurred to me. Once I saw that little 4 piece band and how they seemed to capture and control that entire pool of holiday heads, I simply wanted to be in a cover band. I wanted to step up to that microphone and perform that magic. However, for me, like musicians that strive for fame, the quest has been no less consuming. 
Now 35 years on (or more really) from the realization that I wanted to be on stage, the excitement and anticipation of experiencing the moments of magic is as strong as ever. I suppose that was a calling of sorts. Somehow the universe put me in the right place and the rightest of times. The opening of chord of Sultans still floors me. After singing Jenny's phone number thousands of times, I still get a chill when those weekenders sing along.
I'm a lucky bird really. I have had a Lake Placid Strat and one in Fiesta red as well. My little bands have channelled the magic many times. Today, as I sit and look at one of the Statocasters that is passing through my life, I cant help but think about that kid bobbing around in that pool that day on Padre Island. He is still there, with his arms over the edge of the pool, trying to look as though he belongs, watching and listening, waiting for his next day under that umbrella.

Saturday, June 8, 2013

Ride Em' , Don't Hide Em'


  Vintage motorcycle riders have a saying. They say, "Ride Em, Don't Hide Em". On the face of it, the meaning seems obvious right? Do not buy a nice vintage motorcycle and hide it in your garage and keep the pleasure of the bike to yourself and yourself only. Get that machine out on the road and show the world. Let other riders see the bike and appreciate it with you. This is where vintage guitar owners share a difficulty with vintage motorcycle owners. The aforementioned motto is easy enough to say I suppose, but the real life implementation of it is a bit more difficult.
     It should go without saying that vintage guitars, like vintage motorcycles can sometimes be quite expensive. So dear, in fact, that the thought of a new scratch or a new dent and it's impact on the value of the vintage piece, almost takes all of the joy out of taking the old pony out for a spin. I suppose that one could not blame the owner of a classic piece for protecting his or her investment. Imagine taking your '62 Fiesta Red Fender Stratocaster out to a local dive bar for a show, only to have an "enthusiast" knock that beauty off its stand during your set break. Yikes! I just broke out in a could sweat writing that. Understandable to keep that rarefied guitar at home in a climate controlled environment. That kind of guitar is an investment and it makes sense to protect such a thing. However, I have noticed the, "that guitar is too nice to play out" mentality in new places other than the vintage collector circles.
     A few years ago I began getting interested in the vintage guitar market. I really didn't have the funds to go after pre-CBS Fenders but I did go looking for entry level opportunities. I bought a few   Japanese import Boss pedals (in fact,a long dash CE-2 is still in my collection) and started doing research on which guitars might become collector grade in the years to come. There was a guitar shop in the area that had a nice display of vintage pieces and I began quizzing the owner about emerging trends in the vintage market. One day he called me and said, "Jon, come in and let me show you a guitar that might be of interest to you. Its a real nice Strat." I couldn't wait to get there.
    When I walked in, I suspected I would see a road worn '70s Strat or perhaps an Ed Smith era piece. Those guitars seemed to be in price range at that time. I was surprised to see a brand new guitar on his counter. Him grinning from ear to ear pointing at the case. He said, "You asked me about which guitars might be collectible ten or fifteen years from now. Well, I think this is one." That was in 2004 and what he had was a 50th Anniversary Stratocaster, brand new and straight from the factory. He informed me that he could only get one and he wanted me to have first shot at it. $1200 was a great price for such a nice guitar, collectibles or not, so I took the bite. I followed his advice to, "Shove her under your bed and see what things look like in ten years. They are not making any more of these."
Fair enough. That guitar has spent the last nine years literally under the bed in our guest room. All the case candy in tact and the plastic still on the pickguard. That is until about two weeks ago.
     An old friend, that I had not seen for many years came to visit me. My wife was out of town so we had the run of the place and decided to pull out every guitar I owned and play them. We compared notes on guitars and told war stories about lost guitars and playing in terrible bands. It was great. I have always been proud of that Anniversary piece so I took it out to show him. While I went downstairs to mix us up a couple more cocktails, he plugged it in and started playing! Oh, the horror of it all! I didn't know what to do, but as I contemplated the guitars loss of virginity, I noticed how great the guitar sounded. Fender equipped those pieces with Noisless pickups and S1 switching. Plugged into my old Twin, that guitar chimed like a bell. At that moment, I realized that Bruce Springsteen was right. Baby,  we where "born to run!" When that Stratocaster started to run that night, nothing could have ever run better. It was made to play, not hide under that guest bed.
     Since that night, I have played that Strat at two different gigs. By the way, it sounds great through a Mesa Boogie Studio .22 and sounds even better through a DC-5. I have had more than $1200 worth of enjoyment talking to people about the guitar, as it is a rarely seen piece at live gigs. It is on its way to becoming my "#1".
    I understand needing to protect the posterity of a high grade, collectors guitar. As I said, your minty '62 Sonic Blue over Oly White should not really come out at open mic night at The Palamino.
But being afraid of scratching the back of your 2001 Deluxe Players Stratocaster during "Jessie's Girl" at your next "mitzvah gig" might be a little over board. Please! Get those babies out of the closet and ride 'em and ride 'em hard! We (players and fans) want to see and hear what they've got.




 

Saturday, January 26, 2013

I Was Into Them Before Anybody

Welcome back to Overdrive Chronicles. Its been a bit since my last post. No promises about the future but I hope to be checking in with you more often. I pray you all have been in good health and that you are continuing to listen to and enjoy good music.
As always, when you are in the Austin, Texas area, come check out my rockin' cover band Big Wig.
Also check us out at www.bigwigband.com
We are always glad to see you and hear from you.

Today I went for a great bike ride in sunny Round Rock, Texas. My iPod shuffled to some live cuts from one of my favorite all time bands, Duran Duran. It only takes the intro line to Hungry Like the Wolf  to take me right back to my high school days when this band broke the scene. Funny to think about now, but there was a time when Duran Duran was quite unknown. One of my best buddies, Wes actually turned me on to them. One day at school he asked if I had scene the video for Rio. I thought that was the bands name. He said he could not remember the band name but the girl in the video was smokin' hot. Of course, I was glued to the set when I got home, waiting for this girl Rio.
He was right. She was (and still is) smoking hot. But something else grabbed me about that whole Rio experience.  It struck me that I was really on to something new and exciting. I was listening to a band that was not even on our radio stations yet. It's like I had this little secret. Of course in reality, those videos were being played to millions, but still I felt a privledge of sorts. Like I knew something nobody else did.
The next day I drove to Craig's Record Factory in Corpus Christi, Texas. It was THE place to get your records and tapes. I searched the bins for my new favorite band but to no success. Yep, Dylan was there as well as Rick Deringer ( we alphabetized properly back then. Not by first name), but no Duran Duran. I found a floor person who, with much attitude, told me she had never heard of Duran Duran.
Oh, honor of all honors for a music fan! They had never heard of it and would have to special order it for me. What! Im that cool? Yes, I am that cool!!
Enough of my self glorification from the pathetic glory days. What I am saying here is that all bands start somewhere and often come out of nowhere. Not enough of the time though these days. Take shows like The Voice and American Idol. These performers (musicians? well.........) are all over the TV before they cut there first album. Oops, I mean CD. Oops, I mean download. Im not really interested in seeing how somebody makes it until, well....they make it.
The last time this happened for me was Kings of Leon and before that it was Black Keys. Now they are household band names, but they were not always. I remember asking people if they had heard of KOL. It was great fun telling them about the music and that they should go and check them out. I fell more connected to the music. More connected to the art.
There is nothing like the joy of being able to say, "Huh? Oh yeah, Duran Duran. I know them. Of course I do. I was into them before anybody" Jonathan Hardy, circa, 1982 or so?
Check out my boys above. Still look smashing. Still playing and recording. I knew they would make it.

Friday, September 28, 2012

How a Hero Gets Made....Sometimes

Often times greatness is not something that is easily recognized. In addition, greatness often emerges over time.
Perhaps a person that posesses the raw ingredients for greatness simply becomes a little more great every day.
So when The White Stripes first took the stage at Detroit's Gold Dollar back in the summer of 1997, it is difficult to say whether or not Jack White played with his full present greatness. Jack has certainly become a prolific artist if not one of the most prolific artists of our time. Keeping company with modern day masters like Dave Grohl, Jack simply continues to get better and better with each project.
Perhaps this is how a true guitar hero is made in some cases. I say some cases because other guitar heros seem to have had a certain god status from the very beginning. Say Eddie Van Halen for instance. From the very first record, few people doubted Eddie's ability to drop jaws with his withering solos and vastly creative approach to guitar playing.
Contrast this with Jack White's rise to power. Did we know by White Blood Cells that Jack was destined for guitar greatness? Perhaps, but certainly not in the same instantaneous sense with which we watched Randy Rhodes or the previously mentioned EVH. Be that as it may, Jack White belongs among the guitar greats. Every bit as creative as Eddie, every bit as flashy as Rhodes, as good a song writer as Grohl, as prolific as, dare I say it, Prince, Jack has arrived. Perhaps long ago in some people's opinion but certainly arrived now in everyone's opinion.
While it is not "new" music, go and take a hard listen to Elephant or The White Stripes. Yes, they are from way back in the day by now but they still hold those early markers of greatness that can sometimes only be recognized in retrospect. My personal favorites include Ball and a Biscuit or Girl, You Have no Faith in Medicine.  The former channels Hendrix esque blues vocal style that oozes a powerful rock star virility while the later containes a staccato guitar lick that I have yet to be able to adequately copy.
Jack White is indeed a modern day hero. Whats more and more important is that he is a timeless hero. This work will stand and continue to inspire. Fifty years from now, young guitar prodigy players will be doing magazine interviews and saying the likes of, "Uh well my heros are ummm...well Jack White for sure..I mean right? Who doesnt want to play as good as Jack?"